Saturday, 16 June 2012
Here's another fish card using a lovely Lil' Florida Jack image from Fred B Mullet's line of Nature Print stamps. I used Fred's spritzing technique to get the field of diffuse images and my stamp positioner to add detail and intensity to one of the fish. A few finishing touches with some white paint on the eye, some pencil crayon, and an ink frame and I had my focal image. I used Tombow markers (027 and 528) and spritzed water for the fish. The focal image is mounted on some khaki linen cardstock, and the card base is Not Quite Navy (Stampin' Up), stamped with a coral image from Fred B Mullet. The lace paper is from my package of Japanese paper scraps and is so gorgeous I can't believe I used it.
I don't have time for chit chat today - must dash off to DD2's dance recital. Have a great weekend!
Saturday, 9 June 2012
I surveyed the options, spent a lot of time dithering and mining out various things for various projects, then decided I didn't have time anymore to do any of those. (The master plan for the morning was to go to the Wallack's Art Store Warehouse sale at 9:00 and hope they had some great deals, and get a birthday present for the friend too, who likes to draw. And the reason I ran out of time was I had to experiment with an artist's panel and Tombows/Copics in case they had them at a good price and I wanted more. So I had to do a quick bit of stamping and colouring and experimentation before breakfast, and ran out of time for an extensive card before it was time to leave.)
I stamped the tree image (Stampotique) in Memento on Heather's ivory 130 lb cardstock and coloured it in with Copics. Can't remember the exact colours, but it was B0000, B00, B12 for the sky, and YG11, YG93, G95 and G99 for the leaves and grass and a few browns for the trunk. I accented the grass with some pencil crayons for texture. The smudges you may see are not on the card (for once) but on the scanner, which I keep forgetting to clean. (If you saw my house, you would realize just how far down the list the scanner is in terms of cleaning priority.) I accented the image with some Avocado Liquid Pearls and Crystal Stickles, and set it aside to dry while I took my daughter to the warehouse sale.
Now that was a hoot and a half. It was in a part of town I haven't been to, so that was a bit of a fun exploration. We discovered it's in the same place as the Art-is-In Bakery, and noted for future reference. We headed in to the sale, found some great deals, but were dismayed by the 400 people (rough estimate) in line ahead of us to pay. We didn't have time to wait in line in a warehouse, so abandoned the effort and went in search of Suzy Q doughnuts, which came highly recommended. It's a new little place on Wellington with homemade gourmet doughnuts. We bought one of each plus a few to make a dozen and brought them home, after a quick stop at the local Wallack's for a sketch book and pencil crayons for the birthday present. The doughnuts were delicious (sampled the dirty chocolate, raspberry-cassis with white chocolate drizzle, maple bacon and sugar-cardamom), the card is made and the presents are wrapped and it's not even noon! Still lots of time for the party, laundry, groceries, stamping, etc. that fill a Saturday. And a quick jaunt out to the Sportsplex for soccer team pictures.
Must dash off to a birthday party! Have a lovely Saturday!
Saturday, 2 June 2012
Here's a card I made for someone at work who has recently been bereaved. I wanted to use a technique that I learned at the classes I took a couple of weeks ago from Fred B Mullett. This was a spritzing technique using Tombow markers and a botanical leaf image from Fred's nature print line of stamps. The sentiment is from Quietfire Designs, as is the waxed twine around the edge. The sentiment is embossed with Rust Antiquities embossing powder, so it's multi-toned and matches nicely with the varied shadings of the rest of the card. The panels are all edged in Memories Art Print Brown, and the card base is a lovely vanilla bean Memory Box note card. I like the Memory Box note cards because they are white on the inside - saves having to make a liner.
This technique is from the Spritz me baby ... mo' betta class. There are some basic instructions on Fred's website, but if you can take the class in person, it's waaay better. I got to learn all kinds of things, like how to use TP (technical paper, on the same sort of perforated roll around a central cardboard cylinder as regular old tp) to blot up excess water, and how to avoid the Zone of Preciousness around the main image. (I struggle with this. The Zone refers to the urge to stamp your main image and then leave a nice perimeter around it, carefully avoiding stamping over this lovely image, so carefully positioned. Someone who has fabric scissors and paper scissors, a cutting board just for fruit, and an extra pot of her favourite twinkling h20 is destined to have entire shrines set up to preserve zones of preciousness on cards. Many thanks to Fred for urging me to overcome this tendency and stamp right on over that zone, and he is sooo right to do so. But, as is the case with all good advice, it's nearly impossible to follow. I am proud to say that in this card, I was successful in my struggle to overcome the urge to leave a Z of P, and there is only the slightest Nook of Preciousness under the main leaf.)
In other stamping news, I was out all day today, and last night, and will be out tomorrow at the wonderful classes run by Krista Schneider. We are making wonderful things and it is just such a pleasure to be doing all that creative activity in the company of such delightful people.